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Wednesday, April 4, 2018

Ghazal Garden




Ghazal for an entry without a fee.

A black lettuce wrap sandwich for my sin
Don't tell my vegan daughter she'll cry sea
April is poem a day month for old me.
Anxiety grows at night under cardboard.



Sparrows tumble from my throat, is to say
Snakes eat Araucana eggs on their way
Amelia’s boys keep cabins in the wood.
Aphrodite’s sacred birds kept at bay
Solitary life,  they did not dismay.

Peaches, blood oranges feed the blue jays
Paul, young son loads the truck for market day
Coffee becomes compost, chicks are traded
Silkie Bantams warm in Matelasse beds
Sunflower seeds dry in a crumpled way.

Tires go flat over the dirty road frey.
The boy shares his lunch with a passeridae
She calls tik tik as rock sparrows do fly
Wish him good fortune, yes, which is to say
Waste not, be kind, work hard C. G. each day.





A woeful story ///  you want to replay.

Daughter told me never eat at Chic fil A
The C. O. O is ju ju ~  ~        Dan Cathy
we should shake our fist at chicken and say
Off to hell the phrase "my pleasure" all day.

Copyright © Caroline Gerardo April 4th 2018 
images, video and poem no permission rights granted



Tuesday, April 3, 2018

Rosary Morning

Chumash Indians were not better off.
We assume wrong-facts from history
We see living off nature as poverty,
the economically poor are unhappy,
those who don't drive to urgent care,
those who don't own a Range Rover,
those who lug Luis Vuitton luggage 
Having builds desire for emptiness.

I was in a hurry this morning to work.
The gas light blinks on, I can't make it.
On the front seat I had red cabbage and 
purple chard, first of spring to share.
With my olive drab twenty dollar bill
I put a brown bag of the vegetables to
the random man behind the formica
counter top, "twenty on seven please,
and these veggies are from my garden."
He peeks in the bag, incredulously,
"Oh my mother had these," he says in
heavy Pakistani syntax English accent.
A red headed woman in a XT 5 2018
Cadillac SUV is cursing at the credit
card machine slot for her gas pump.
She tells me, "this God dam place
is the worst station for miles around."
I smile but don't answer, not wanting
to engage in her rage morning event.
Behind black tinted windows two
children in cars seats in the back fuss.
She tells them to "shut the f... up," 
and storms into the cashier office.
I'm not certain I ought to leave the
children in her vehicle alone, so I
stand in front of her shiny new car
which has the driver side door open.
My fuel finished pumping and she
doesn't return, I see the children
are two and five approximately.
Cars park, pump and disappear.
Still, the flaming red head does
not return. I lift my shoulders,
give a shy wave to the children
who now silently watch me.
I wonder if her credit card
is hacked, or overdrawn or?
Here she comes, blue veins
in forehead popping out mad.

"God dam Indians why don't they
go back to Mexico farms," rants.

Her information is dead wrong.
Bigotry hot as wax searing skin.
I correct her mistake in thought.
Dig rock clay with iron to find
water to plant the three sisters,
rise bread in wood fire oven,
laundry washes sin outdoors,
kneel to scrub the terra cotta
In 1824 the Chumash revolted,
 burned red head's Cadillac to dust.
In my mind; but I say to her,
"Your Grandchildren are beautiful."
Knowing they are likely her own,
wish I had shared a life changing
snappy way to turn her her around.

I return to the safety of my truck.
The aroma of coffee fills the cab.
I think of the holy water font at
the Mission and recite the rosary
as I drive on to work I pray.

Caroline Gerardo copyright April 3, 2018 # 3 of my poem a day for #NationalPoetrymonth
laundry fountain

bread oven

ancient hoe 

mill

sundial












Monday, April 2, 2018

Up and Work It's Spring


"Up and at 'em!"
Thought was atom
for centuries, now
learn it's military,
not small matter
every day charge
to rise and work
pick the weeds.


National Poem-a-Day Challenge
Can I do it?


Caroline Gerardo copyright April 2, 2018

Tuesday, March 20, 2018

Code Word is Bunny

First day of Spring 



before a kiss goodbye

remember darlings

code word is bunny
wear  shoes that run
sephora pepper spray
a whistle on a chain
sheath pocket knife 
camera on the porch
cell phone charged
practice hide drills
watch strangers act 
a civil defense duty
to record crime live
be so ready to fight
do cover your head
map escape access
do not be impaired
know all neighbors
work plan to escape
carry all medication
phone as flashlight 
objects as weapons
plan other escape
the meeting place
yes we are ready
wear brave smile
survive 
child
kiss 
kiss


copyright Caroline Gerardo March 20 2018

#marchforourlives

Monday, March 19, 2018

Joe Fay Lyric Essay

Painted Totem Birdhouse with cat and three birds




Black Headed Grosbeak a songbird

fish crow whose nasal calls ring from salt marshes


Young Gray Jay, hearty bird in cold










Excerpt from Lyric essay to be published:


Joe Fay’s angler fly-rod flexes luring a trout, imitating the flight of an insect. Joe Fay’s paintings at LA Artcore perch for a moment, ready to take flight into a dream-scape. An answer to a bird call, “fee bee o, ”  from the Alder Flycatcher’s mate arrives in a kaleidoscope of tropical music heard by Paul Gauguin in another time.  The paintings sing in zig-zag patterns that pick at childhood memories of marble painting, hot summers skipping rocks in creeks, and rick rack birdhouses gone wild.


Fay pulls you upon a journey. Back to waka poems, or Ebru of the 10th Century were inscribed upon drifting sandpaper. Reminds of the Turkish marbling you tried to imitate, not knowing ancient Persians also used colorful clouded papers, only to find your hands muddied by the combination of red and green. Fay doesn’t use earthly umber or brown, he revels in joyful hues of merlot, magenta, lapis, and cerulean.


Don’t think the palette is primary colors. Fay doesn’t wax heavy-handed. His brush is a slender stream that wicks and tears wet paint into streams of thickets of acrylic. With pointed wings, Fay draws birds of Montana, friends he knows well. Aerial feeders open their beaks to the sky. A Black Crowned Night Heron watches from a neon branch for its prey. Ravens circle a landscape as if enchanted by a spell.  The thick soup of foam and paint glisten as jewels sprayed clean by morning mist. Paint appears to continue bleeding like a stream of marshmallow. I refer to the sap of the Althaea officinalis which was reserved for gods and royalty of the ancient Egyptians, nor corn starch.


Fay’s show includes drawings on paper with his signature zip tie language, works on canvas, fans, and birdhouse sculpture reliefs with beaks that scare off predators. Nature flows upon the canvas.
Los Angeles welcomes back Joe Fay from his migration from Montana. The show is up until March 28th.



Video below shows the viscosity in the paint, plus clips from his thoughts live at the exhibition.


UNION CENTER FOR THE ARTS
 LA ARTCORE UNION CENTER FOR THE ARTS
120 Judge John Aiso Street Los Angeles, CA, 90012

copyright  © all rights reserved images, video and lyric essay
 Caroline Gerardo